NfoDB.com :: Stillwell Audio Plugins Bundle VST v1.52

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              Stillwell.Audio.Plugins.Bundle.VST.v1.52-AMPLiFY              
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           TEAM AMPLiFY  :...SUPPLIER  ³³  REL-DATE..:  10.16.2008     
           TEAM AMPLiFY  :...PACKAGER  ³³  RELEASE#..:  0DAY-221
           TEAM AMPLiFY  :....CRACKER  ³³  DISKS.....:  07x5.00MB      
                keyfile  :.PROTECTION  ³³  TYPE......:  VST                     
         Stillwellaudio  :....COMPANY  ||  OS........:  WinAll

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                         http://www.stillwellaudio.com                 

          Written with sound quality and ease of use a priority, all   
          of our plugins are 64-bit internal processing. If your host  
              is VST 2.4 capable, we’ll accept and pass on 64-bit      
          double-precision audio streams. If you have a host that is   
          only 32-bit capable, we’ll still give you as much precision  
                                 as possible.                          
                                                                       
                                 Bundle list:                          
                                                                       
                                     1073                              
                                                                       
            The Neve* 1073 is probably one of the best large-format    
          console channel modules ever made. Punchy, detailed it was   
          almost impossible to make it sound bad for its time. Let’s   
          not debate about large chunks of iron and wax/paper versus   
              electrolytic capslet’s talk about the sheer genius       
          involved in picking the proper EQ frequencies, bandwidths,   
          and slopes. reducing them down to their essence then making  
                       it utterlytransparent and smooth.               
                                                                       
                                 Bad Buss Mojo                         
                                                                       
           How to describe this? Well, I guess we’ll just settle for   
          this: sometimes digital is just TOO perfect. I’m not going   
              to say sterile or lacking soul, because I’d wind up      
          eating my words sooner or later but sometimes you just want  
           a little grit a little dirt a little imperfection. That’s   
           where Bad Buss Mojo comes in. Bad Buss Mojo allows you to   
          dial in specific tweaks to a virtual mix buss amplifier. Is  
          the + rail a little low? Dial it in PSU not quite as stiff   
              as it could be? Dial in a bit of knee in the bend.       
           Old-school transistors or even <gasp> tubes? Dial in some   
            nonlinear modulation. It’ll go from  I can’t hear that     
          you’ve done anything, but I like it  all the way up to Why   
                did you run my mix through a guitar amp? Highly        
            recommended (the plugin, not running your mix through a    
                                  guitar amp)                          
                                                                       
                                 Bitter, baby.                         
                                                                       
           A 64-bit bitscope and intersample clip indicator for your   
                             cost-free enjoyment.                      
                                                                       
                                   Dyno Hum!                           
                                                                       
          A threshold-driven dynamic envelope editor. A radically new  
           way to gain total control over dynamics: it’s a transient   
           designer, compressor, expander, sound designer, and more.   
          Adjust an intuitive graphical detection circuit to capture   
           transients and waveform peaks, and draw high-order Bezier   
           curves to edit peak dynamics. Use Dyno for anything from    
          adding a little snap to a snare drum or a little sizzle to   
          a cymbal, to morphing a bass line into a crazed rhino pump.  
                 All in real time, with amazingly low CPU use.         
                                                                       
                                 Event Horizon                         
                                                                       
           Event Horizon is a Peak-Eating Limiter huh? Well, maybe a   
          better description is that it’s a clipper with an optional   
           soft-clip circuit. By truncating waveforms short of where   
               the DAC would go into clipping, you can get VERY        
          transparent loudness increases; unlike most limiters, Event  
            Horizon does this with ZERO pumping,  ZERO transient or    
          frequency artifacts, and with ZERO latency. Now, it may not  
             let you be louder than the latest flavor of the month     
           mastering limiter, but within its range of operation, you   
           WILL get an unsurpassed natural sound. Its output is what   
          comes into it only louder. If you push it too hard, it will  
           tell you in no uncertain terms that this is no longer the   
           right tool for the job. Give it a try it’s fantastically    
                       easy to use, and it sounds great!               
                                                                       
                                   Major Tom                           
                                                                       
           Major Tom is not your ordinary compressor, no sir! It was   
              designed with very specific goals in mind, and blew      
          completely past them. We like Major Tom can you tell? Major  
          Tom is intended to be easy to use: there are no attack and   
          release controls the values vary depending on the level of   
          the signal relative to its threshold. These values are very  
            finely tuned to make it as musical as possible, without    
            requiring a wall full of gold records to hit the right     
           settings. The attack/release settings are inspired by one   
            of the true stealth vintage compressors, the dbx* 160.     
            You may not hear about it much, but you’ve heard it on     
          records time and time again. Musicality: That’s the second   
          key. Major Tom WILL pump, but it should do so in a musical,  
                 rhythmic manner. Put it on vocals gently for          
                 smoothing nice. Put it on bass, but don’t go          
           overboard buttah. Put it on drums and go berserk SMACKIN’   
                                                                       
                                  MicroSchope                          
                                                                       
          MicroSchope is a pleasant little VST plugin that may offer   
           you some usefulness while using very little CPU or screen   
                                 space. Enjoy!                         
                                                                       
                                     Olga                              
                                                                       
            Olga is a virtual analog synthesizer unlike any other,     
               designed from first principles to be distinctive.       
                                                                       
            Imagine a handmade experiment from an unlikely place, a    
          synthesizer so full of life and character that it earns the  
           right to be called a musical instrument. Olga encourages    
            risk, experimentation, and exploration, and rewards you    
            with unexpected and exciting sounds, vibrant and human.    
        This is the dusty gem you could spend your life searching for. 
           Bezier Antialiased Dynamic Analog Synthesis System: Olga    
            uses a truly new approach to DSP waveform generation to    
           emulate glorious analog imperfection. Olga’s free running   
               oscillators are in a constant state of structured       
          variability, a deeply musical instability, free of aliasing  
                       artifacts and light on your CPU.                
                                                                       
                                    Oligarc                            
                                                                       
          Oligarc is a collection of four world class virtual analog   
              FX, tied together by a modulation nerve center that      
           converts the input audio into control signals that can be   
             routed to most of the effect knobs. Oligarc can be an     
              LFO-driven filter, an envelope-controlled phaser, a      
          gate-triggered saturation effect, or anything else you can   
           think up, including mad combinations of linked modulation   
                         of multiple effects at once.                  
                                                                       
                                Oligarc Filter                         
                                                                       
             The Oligarc Filter is a sophisticated emulation of a      
           classic analog ladder filter, complete with nonlinearity,   
                instability, character, good looks, and danger.        
                                                                       
                                 Psyco Dither                          
                                                                       
          God’s Own Dither. A breakthrough adaptive algorithm reacts   
           in real-time to the signal audio to preserve the maximum    
           possible dynamic range at any bit depth. Select a dither    
            color and dial in psychoacoustic noise shaping power to    
            choose exactly the right hardness or softness for your     
                                final renders.                         
                                                                       
                                  The Rocket                           
                                                                       
          The Rocket is a character audio compressor, singular in its  
            extraordinary speed, responding in mere microseconds to    
          variations in program level. Being in the order of several   
           thousand times faster than most ordinary compressors, we    
             respectfully submit that The Rocket kicks like a mf.      
                                                                       
              Violation of the laws of physics and digital signal      
            processing remain beyond us at this time, and a single     
            sample at 44.1kHz has a span of 22.6 microseconds. The     
          Rocket’s attack time can be below this level, for absolute   
          certainty that even the very first sample understands that   
           you are its master. Placed on the master bus, The Rocket    
          will effortlessly tame transients almost in the manner of a  
                              brickwall limiter.                       
                                                                       
                                    Schope                             
                                                                       
                A multitool, multiview, multichannel waveform,         
              frequency, and stereo phase analyzer that lets you       
            superimpose and view multiple audio signals from every     
                                  dimension.                           
           Isolate and zoom in on exactly the part of the signal you   
            want to see. Freeze the display and use the time offset    
                  knobs to visually scrub frequency changes.           
                                                                       
                                    Sculpto                            
                                                                       
             Draw Bezier curves over your audio waveform to create     
          envelope shapes to follow or clip to. Clean errors, sharpen  
            transients, or design entirely new sounds. All in real     
                       time, with amazingly low CPU use.               
                                                                       
                                    Spectro                            
                                                                       
          An intuitive, real-time spectral editor. Draw boxes to add   
          or subtract gain, mute, or solo specific frequency ranges.   
            Clean up accidental room noise, remove harmonic bleed,     
           perform surgical EQ, de-ess, or get creative and combine    
            additive filters for some truly wild effects. It can be    
           anything from a scalpel to a bludgeon. All in real time,    
                          with amazingly low CPU use.                  
                                                                       
                                    TinMan                             
                                                                       
            TinMan is an auto-peaking resonant filter with multiple    
            pitch detection and individually triggered attack/decay    
            envelopes. In other words, it listens to your audio and    
                 makes matching spooky wooo-eeee-oooo effects.         
                                                                       
                               Transient Monster                       
                                                                       
           This is simplicity itself. It will save your drum mixes.    
           Two controls: Attack, and Sustain. I would explain more,    
           but you know…I really don’t have to. Put it on your drum    
            buss. Turn the knobs…you WILL understand, and you will     
              thank me later. Okay, okay…have you ever had a drum      
          performance that was REALLY laying down the groove, but the  
           recorded drum sound just didn’t SNAP? Turn up the attack.   
            Need those ride cymbals to really ring instead of just     
            dying down into the mush? Turn up the sustain. Too much    
          bleed and ring getting into your drum tracks? Turn DOWN the  
          sustain. See? I knew I didn’t really have to explain it to   
                                     you.                              
                                                                       
                                   Verbiage                            
                                                                       
            Before convolution reverbs, there were Lexicon, Yamaha,    
           Eventide…hmm. Seems like all the REALLY good reverbs were   
           around way before everybody got the convolution bug. This   
           isn’t a convolution reverb…it’s an algorithmic reverb put   
            together the old-fashioned way…from your basic ones and    
          zeroes. It’s extremely controllable (try changing the room   
            size and damping of your average reverb impulse…doesn’t    
           work, does it?), and very flexible. Separate control over   
          early and late reflections, stereo or mono in (input mix),   
           stereo or mono out (width), flip wet output channels for    
           cross reverb (very cool for panning mono instruments and    
            letting them fill a space without getting overly wet),     
           high-pass filters, gating…it’s all there. This is NOT the   
           reverb you would use to emulate a physical space (that’s    
          what convolution reverbs excel at), but this is a true gem   
             for sweetening tracks with reverb…adding that special     
          shimmer to tracks that you can’t really get any other way.   
                                                                       
                                    Vibe-Eq                            
                                                                       
            This is one of those mythical plugins that makes things    
           sound better just by plugging it in. Really. Unlike 1973,   
          which is a very pristine EQ plugin (but a VERY good EQ, all  
           the same), Vibe-EQ is all about color. The more boost or    
          cut you dial in, the more color and funk you get. This may   
           not be your go-to EQ every time, but you’ll wind up using   
                       it more often than you’d expect.                
                                                                       
                           Good stuff. Recommended.                    

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                1. Unpack                                              
                2. Install                                             
                4. Try without nags and web link-click                 
                5. BUY THE STUFF BECAUSE THESE ARE GREAT PLUGS!        

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      AMPLiFY iNGREDiENTS: 1 cup of TALiO - 1 cup of AI - 1 cup of CoBaLT.
             Bake in a preheated oven for 40 minutes until set.
                           Let it cool and enjoy. :)

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                     AiRISO, BSOUNDZ, DViSO, SPiRiT, TZ7iSO,
                                  AiR, ArCADE.

                Special Thanks To All The People That Support Us.
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NfoDB.com :: Stillwell Audio Plugins Bundle VST v1.52 0day mp3s, daily Music updates, only full quality albums, no crap! Direct links!
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