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ÛÛÛ . .. Release info .. . ÛÛÛ
ßÛÛÜÜ ÜÜÛÛß
ßßßÜ ARTIST.......: The KLF Üßßß
ßÜÜ TITLE.......: What Time Is Love Üß
ßÛÜ SOURCE.....: Vinyl ÜÛß
ÜÛß STYLE......: Techno ßÛÜ
ÜÜÛßß LABEL.......: Blow Up ßßÛÜÜ
ÜÛßß CAT.NR........: INT 125.789 ßßÛÜ
ß QUALITY.........: VBRkbps/44,1Hz/Joint-Stereo ß
Üß URL...............: www.intercord.de ßÜ
Ü RIP.DATE...........: Oct-28-2005 Ü
Û LENGTH............: 10:09 min Û
Ü þÜ SIZE.............: 16,10 MB Üþ Ü
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ßÜ ßßßÛÛÛÛÛÛÛÛÛßß ßßÛÛÛÛÛÛÛÛÛßßß Üß
ßßÜÜÜÜ ßßß . .. Notes .. . ßßß ÜÜÜÜßß
ßßßÛÛÜÜÜ ÜÜÜÛÛßßß
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ÜÜÛ²ÛÛÛÛßßß ßßßßÛÛÛÛ²ÜÜ
ÛÛ²²ßß ßßÛÛ²²
ÛÛ²² ÛÛ²²
ÛÛ²² ÛÛ²²
ÛÛ²² More than any pop band in history, the KLF ÛÛ²²
ÛÛ²² ripped off the music industry for a ÛÛ²²
ÛÛ²² bucketful of loot and got away with it -- as ÛÛ²²
ÛÛ²² illustrated in their own guidebook to ÛÛ²²
ÛÛ²² creating number one singles, -The Manual. ÛÛ²²
ÛÛ²² Bill Drummond and Jimi Cauty applied the ÛÛ²²
ÛÛ²² tactics of punk shock-terrorism to late-'80s ÛÛ²²
ÛÛ²² acid house and became one of Britain's ÛÛ²²
ÛÛ²² best-selling artists (recording also as the ÛÛ²²
ÛÛ²² JAMS and the Timelords) just before their ÛÛ²²
ÛÛ²² retirement in 1992. The duo then deleted ÛÛ²²
ÛÛ²² their entire back catalog -- a potential ÛÛ²²
ÛÛ²² loss in the millions of pounds -- and ÛÛ²²
ÛÛ²² declared they wouldn't release another ÛÛ²²
ÛÛ²² record until peace was declared throughout ÛÛ²²
ÛÛ²² the world. The son of a Scottish preacher, ÛÛ²²
ÛÛ²² Bill Drummond (b. April 29, 1953; South ÛÛ²²
ÛÛ²² Africa) ran away from home to become a ÛÛ²²
ÛÛ²² fisherman before enrolling in a Liverpool ÛÛ²²
ÛÛ²² art school in the late '70s. He became ÛÛ²²
ÛÛ²² involved in Liverpool's punk scene, and in ÛÛ²²
ÛÛ²² 1977 formed the short-lived punk band Big in ÛÛ²²
ÛÛ²² Japan with Holly Johnson (later of Frankie ÛÛ²²
ÛÛ²² Goes to Hollywood) and Ian Broudie (the ÛÛ²²
ÛÛ²² Lightning Seeds). A year later, Drummond ÛÛ²²
ÛÛ²² co-founded the Zoo label (with Dave Balfe), ÛÛ²²
ÛÛ²² serving as manager and producer for the ÛÛ²²
ÛÛ²² Teardrop Explodes and Echo & the Bunnymen ÛÛ²²
ÛÛ²² through the early '80s. After both bands ÛÛ²²
ÛÛ²² left Zoo for the majors, Drummond followed ÛÛ²²
ÛÛ²² by joining WEA as an A&R man; there, he ÛÛ²²
ÛÛ²² signed Strawberry Switchblade, Zodiac ÛÛ²²
ÛÛ²² Mindwarp, the Proclaimers, and Brilliant. He ÛÛ²²
ÛÛ²² quit the business in 1986, though, and ÛÛ²²
ÛÛ²² released the solo album The Man one year ÛÛ²²
ÛÛ²² later for Creation Records. The album was a ÛÛ²²
ÛÛ²² satiric goodbye to music, voicing Drummond's ÛÛ²²
ÛÛ²² hope that he would never be involved in the ÛÛ²²
ÛÛ²² industry again. With his retirement only six ÛÛ²²
ÛÛ²² months old, Drummond decided to make a ÛÛ²²
ÛÛ²² hip-hop record. He called an old friend, ÛÛ²²
ÛÛ²² Brilliant's Jimi Cauty (b. 1954), to help ÛÛ²²
ÛÛ²² with production and technology. A week ÛÛ²²
ÛÛ²² later, the duo -- christened the Justified ÛÛ²²
ÛÛ²² Ancients of Mu Mu, or the JAMS for short -- ÛÛ²²
ÛÛ²² recorded the sample-heavy pastiche "All You ÛÛ²²
ÛÛ²² Need Is Love." The single, released that ÛÛ²²
ÛÛ²² May, was followed a month later by the JAMS' ÛÛ²²
ÛÛ²² debut album 1987 (What the Fuck Is Going ÛÛ²²
ÛÛ²² On?), which continued the sonic piracy with ÛÛ²²
ÛÛ²² long passages lifted from the Beatles, Led ÛÛ²²
ÛÛ²² Zeppelin, and ABBA. As a matter of course, ÛÛ²²
ÛÛ²² ABBA objected to the sampling, and in ÛÛ²²
ÛÛ²² September the Copyright Protection Society ÛÛ²²
ÛÛ²² demanded that all copies be recalled and ÛÛ²²
ÛÛ²² destroyed. Instead, Drummond and Cauty ÛÛ²²
ÛÛ²² traveled to Sweden, hoping that a personal ÛÛ²²
ÛÛ²² meeting with ABBA would resolve the ÛÛ²²
ÛÛ²² situation. Locked out of the group's ÛÛ²²
ÛÛ²² Stockholm studio, the pair decided to return ÛÛ²²
ÛÛ²² to England, stopping only to burn 500 copies ÛÛ²²
ÛÛ²² of 1987 in a Swedish field. (The incident ÛÛ²²
ÛÛ²² was photographed and serves as the cover for ÛÛ²²
ÛÛ²² the best-of album History of the JAMS.) ÛÛ²²
ÛÛ²² Cauty and Drummond kept the album in the ÛÛ²²
ÛÛ²² spotlight though, by advertising in The Face ÛÛ²²
ÛÛ²² magazine five remaining copies for sale at ÛÛ²²
ÛÛ²² the price of £1000 each. They eventually ÛÛ²²
ÛÛ²² sold three, gave one away, and kept the ÛÛ²²
ÛÛ²² last. In October 1987, the JAMS released an ÛÛ²²
ÛÛ²² edited version of the album called 1987 (The ÛÛ²²
ÛÛ²² JAMS 45 Edits), with specific instructions ÛÛ²²
ÛÛ²² on how to recreate the original 1987 at ÛÛ²²
ÛÛ²² home. A second album, Who Killed the JAMS?, ÛÛ²²
ÛÛ²² appeared early in 1988, but it was ÛÛ²²
ÛÛ²² superseded by the May release of "Doctorin' ÛÛ²²
ÛÛ²² the Tardis" (recorded as the Timelords). ÛÛ²²
ÛÛ²² Incorporating samples from Gary Glitter, ÛÛ²²
ÛÛ²² Sweet, and the theme to Dr. Who, the single ÛÛ²²
ÛÛ²² hit number one in the British charts and ÛÛ²²
ÛÛ²² eventually became one of the most popular ÛÛ²²
ÛÛ²² sports anthems of all time. Within six ÛÛ²²
ÛÛ²² months, "Doctorin' the Tardis" was collected ÛÛ²²
ÛÛ²² on two JAMS compilations, the American ÛÛ²²
ÛÛ²² History of the JAMS a.k.a. The Timelords, ÛÛ²²
ÛÛ²² and the British double-LP Circa 1987: Shag ÛÛ²²
ÛÛ²² Times. Six months later, Cauty and Drummond ÛÛ²²
ÛÛ²² compiled their knowledge of popular success ÛÛ²²
ÛÛ²² and the music industry, publishing -The ÛÛ²²
ÛÛ²² Manual with a statement of purpose included ÛÛ²²
ÛÛ²² in the subtitle: "How to have a number one ÛÛ²²
ÛÛ²² the easy way -- The Justified Ancients of Mu ÛÛ²²
ÛÛ²² Mu reveal their zenarchistic method used in ÛÛ²²
ÛÛ²² making the unthinkable happen." Cauty and ÛÛ²²
ÛÛ²² Drummond's second novelty single, "Kylie ÛÛ²²
ÛÛ²² Said to Jason" (credited to the KLF, or ÛÛ²²
ÛÛ²² Kopyright Liberation Front), proved a flop ÛÛ²²
ÛÛ²² in July 1989, so the pair changed directions ÛÛ²²
ÛÛ²² later that year. Jettisoning the beats of ÛÛ²²
ÛÛ²² their previous work but retaining the ÛÛ²²
ÛÛ²² samples and effects, the duo played a major ÛÛ²²
ÛÛ²² part in the development of the '90s boom in ÛÛ²²
ÛÛ²² ambient music. Cauty and Drummond recorded ÛÛ²²
ÛÛ²² the classic Chill Out album in late 1989, ÛÛ²²
ÛÛ²² mixing source material from two DAT machines ÛÛ²²
ÛÛ²² onto a cassette recorder during a live ÛÛ²²
ÛÛ²² session. Concurrent to the Chill Out ÛÛ²²
ÛÛ²² project, Cauty had actually formed another ÛÛ²²
ÛÛ²² ambient house forerunner, the Orb, with Dr. ÛÛ²²
ÛÛ²² Alex Paterson. The duo recorded "A Huge Ever ÛÛ²²
ÛÛ²² Growing Pulsating Brain That Rules From the ÛÛ²²
ÛÛ²² Centre of the Ultraworld" in addition to ÛÛ²²
ÛÛ²² material for an album, but split early in ÛÛ²²
ÛÛ²² 1990 -- with Paterson taking the name for ÛÛ²²
ÛÛ²² his future recordings. Cauty then deleted ÛÛ²²
ÛÛ²² Paterson's contributions, re-recorded large ÛÛ²²
ÛÛ²² portions, and released the results credited ÛÛ²²
ÛÛ²² only as Space. Obviously, the KLF's ambient ÛÛ²²
ÛÛ²² recordings weren't going to top the charts, ÛÛ²²
ÛÛ²² so later in 1990 Cauty and Drummond moved ÛÛ²²
ÛÛ²² back to acid house and earned the greatest ÛÛ²²
ÛÛ²² success of their career. The single "What ÛÛ²²
ÛÛ²² Time Is Love?" -- the first volume in what ÛÛ²²
ÛÛ²² became known as the Stadium House Trilogy -- ÛÛ²²
ÛÛ²² hit number five on the U.K. singles charts ÛÛ²²
ÛÛ²² in August 1990. "3 A.M. Eternal" took over ÛÛ²²
ÛÛ²² the number one spot in January 1991, and The ÛÛ²²
ÛÛ²² White Room LP topped the album charts upon ÛÛ²²
ÛÛ²² its release in March. The final single in ÛÛ²²
ÛÛ²² the trilogy, "Last Train to Trancentral," ÛÛ²²
ÛÛ²² also made Top Ten. The KLF's success carried ÛÛ²²
ÛÛ²² into Europe during 1991, and even the ÛÛ²²
ÛÛ²² Americans caught on by September, pushing "3 ÛÛ²²
ÛÛ²² A.M. Eternal" to number five and The White ÛÛ²²
ÛÛ²² Room into the Top 40 album charts. The ÛÛ²²
ÛÛ²² U.S.-only "America: What Time Is Love?" ÛÛ²²
ÛÛ²² reached number 57 in November 1991, and ÛÛ²²
ÛÛ²² early in 1992 "Justified and Ancient" -- the ÛÛ²²
ÛÛ²² surprising pairing of the KLF with country ÛÛ²²
ÛÛ²² queen Tammy Wynette -- almost reached the ÛÛ²²
ÛÛ²² American Top Ten. Cauty and Drummond, the ÛÛ²²
ÛÛ²² best-selling singles act in the world during ÛÛ²²
ÛÛ²² 1991, were on the verge of becoming ÛÛ²²
ÛÛ²² superstars. The duo had other plans in mind, ÛÛ²²
ÛÛ²² though. Voted Best British Group by BPI and ÛÛ²²
ÛÛ²² the Brit Awards, the KLF were scheduled to ÛÛ²²
ÛÛ²² perform at a London awards ceremony on ÛÛ²²
ÛÛ²² February 13, 1992. Cauty and Drummond did ÛÛ²²
ÛÛ²² show up, but horrified the formal audience ÛÛ²²
ÛÛ²² with a hardcore thrash version of "3 A.M. ÛÛ²²
ÛÛ²² Eternal" (performed with the justifiably ÛÛ²²
ÛÛ²² named Extreme Noise Terror) that also ÛÛ²²
ÛÛ²² included Drummond spraying the crowd with ÛÛ²²
ÛÛ²² blanks from an automatic rifle and the ÛÛ²²
ÛÛ²² post-performance announcement, "The KLF have ÛÛ²²
ÛÛ²² left the music industry." Topping their ÛÛ²²
ÛÛ²² already extreme actions, Cauty and Drummond ÛÛ²²
ÛÛ²² delivered the carcass of a dead sheep -- ÛÛ²²
ÛÛ²² plus eight gallons of blood -- to the lobby ÛÛ²²
ÛÛ²² of the hotel after-party. The industry and ÛÛ²²
ÛÛ²² press reaction was overwhelmingly negative, ÛÛ²²
ÛÛ²² but Cauty and Drummond had already made ÛÛ²²
ÛÛ²² their mint. Promising that no more releases ÛÛ²²
ÛÛ²² were forthcoming until peace reigned around ÛÛ²²
ÛÛ²² the world, they officially retired from ÛÛ²²
ÛÛ²² music on May 5, 1992 -- the date ÛÛ²²
ÛÛ²² commemorated the 15th anniversary of ÛÛ²²
ÛÛ²² Drummond's emergence in the music industry, ÛÛ²²
ÛÛ²² with Big in Japan. To convince the public ÛÛ²²
ÛÛ²² that it wasn't simply a scam to sell more ÛÛ²²
ÛÛ²² records, Drummond and Cauty deleted the ÛÛ²²
ÛÛ²² entire back catalog of KLF Communications. ÛÛ²²
ÛÛ²² Though the KLF did return one year later, it ÛÛ²²
ÛÛ²² was not to release music but to provide a ÛÛ²²
ÛÛ²² commentary on the art world. First, a series ÛÛ²²
ÛÛ²² of newspaper adverts commanded the world to ÛÛ²²
ÛÛ²² "Abandon All Art Now." Cauty and Drummond -- ÛÛ²²
ÛÛ²² thinly veiled as the K Foundation -- then ÛÛ²²
ÛÛ²² announced that they would be awarding a ÛÛ²²
ÛÛ²² prize of £40,000 to the worst work of art ÛÛ²²
ÛÛ²² that year. Winner Rachel Whiteread (who had ÛÛ²²
ÛÛ²² also won England's Turner Prize) refused the ÛÛ²²
ÛÛ²² award, prompting a ceremony in which the K ÛÛ²²
ÛÛ²² Foundation vowed to burn the prize money. ÛÛ²²
ÛÛ²² Whiteread accepted the award just seconds ÛÛ²²
ÛÛ²² before the bills were torched, and donated ÛÛ²²
ÛÛ²² the money to charity. In August 1994, the ÛÛ²²
ÛÛ²² artists formerly known as KLF managed to ÛÛ²²
ÛÛ²² outdo themselves yet again. After physically ÛÛ²²
ÛÛ²² nailing £1,000,000 to a board -- an act ÛÛ²²
ÛÛ²² which necessitated the largest cash ÛÛ²²
ÛÛ²² withdrawal in U.K. history -- Cauty and ÛÛ²²
ÛÛ²² Drummond showed the money around England as ÛÛ²²
ÛÛ²² a work of art entitled "Nailed to the Wall." ÛÛ²²
ÛÛ²² Then, on the island of Jura, in the presence ÛÛ²²
ÛÛ²² of one journalist and one cameraman, they ÛÛ²²
ÛÛ²² burned the entire sum as yet another bizarre ÛÛ²²
ÛÛ²² commentary on the art world. Cauty and ÛÛ²²
ÛÛ²² Drummond's first recording in almost three ÛÛ²²
ÛÛ²² years appeared later that year. Though peace ÛÛ²²
ÛÛ²² didn't rule the world in late 1994, the K ÛÛ²²
ÛÛ²² Foundation honored the historic peace accord ÛÛ²²
ÛÛ²² between Yitzhak Rabin and Yasser Arafat by ÛÛ²²
ÛÛ²² releasing -- only in Israel -- an ÛÛ²²
ÛÛ²² ultra-limited-edition single, a novelty ÛÛ²²
ÛÛ²² cover song entitled "K Sera Sera," recorded ÛÛ²²
ÛÛ²² with the Red Army Choir. Drummond and Cauty ÛÛ²²
ÛÛ²² also recorded a track as the One World ÛÛ²²
ÛÛ²² Orchestra for the HELP charity album in ÛÛ²²
ÛÛ²² 1995. In late 1997, the KLF finally ÛÛ²²
ÛÛ²² re-emerged (as 2K) and released the single ÛÛ²²
ÛÛ²² ***k the Millennium on Mute. ÛÛ²²
ÛÛ²² ÛÛ²²
ÛÛ²² Both tracks of this EP are not part of any ÛÛ²²
ÛÛ²² certain release so this one still was ÛÛ²²
ÛÛ²² unreleased.. ÛÛ²²
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ÛÛ²² ÛÛ²²
ÛÛ²² .No.:..Artist./.Titel...........................:..Time. ÛÛ²²
ÛÛ²² ÛÛ²²
ÛÛ²² A1 - What Time Is Love (Live At Trancentral) : 05:26 ÛÛ²²
ÛÛ²² B1 - What Time Is Love (Techno Gate Mix) : 04:43 ÛÛ²²
ÛÛ²² ÛÛ²²
ÛÛ²² ÛÛ²²
ÛÛ²² Total : 10:09 ÛÛ²²
ÛÛ²² ........................................................ ÛÛ²²
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ÛÛ²² Please don't spread our releases on ÛÛ²²
ÛÛ²² public sources and P2P networks !! ÛÛ²²
ÛÛ²² ÛÛ²²
ÛÛ²² Support the artists : ÛÛ²²
ÛÛ²² - buy the vinyls !! ÛÛ²²
ÛÛ²² - buy the CDs !! ÛÛ²²
ÛÛ²² - visit the concerts !! ÛÛ²²
ÛÛ²² ÛÛ²²
ÛÛ²² .. and always keep in mind : ÛÛ²²
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ÛÛ²² TO ALL OUR FRIENDS n MUSICLOVERZ out there !! ÛÛ²²
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