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              PSP.Audioware.PSP.84.v1.5.3.VST.RTAS.Incl.KeyGen-DYNAMiCS     

      SUPPLiER..: TEAM DYNAMiCS                     DiSKS...: 01 * 2.88mb
      CRACKER...: TEAM DYNAMiCS                     DATE....: 0522 2009
      PACKAGER..: TEAM DYNAMiCS                     RELEASE#: DYNAMiCS-461
      PROTECTION: SERIAL                            FORMAT..: VST/RTAS

                          http://www.pspaudioware.com                           

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     The general idea of the Lexicon PSP 42 inspired us to design it's big
     brother the PSP 84 plug-in. PSP 84 is a high-quality processor,
     capable of producing a wide variety of delay-based effects. Two
     independent delay lines operating with variable sampling rate and
     precise tape saturation algorithm with adjustable gain, allow for
     convincingly sounding simulation of tape delay, including all the
     exciting effects resulting from tape speed instability. A filtration
     section consisting of three 2nd order switchable resonant filter types
     can be used to process input, feedback or wet signal. The adjustable
     slope of the filter ranges from a gentle curve, which is useful for
     simulating high frequency absorption typical for tape delay and wet
     signal equalization to an extremely steep curve with a high cutoff
     frequency peak, making all the wild wah-wah and resonance effects
     easily available. Delay line sampling rate and filter cutoff can be
     modulated by any of the 5 LFO waveforms that are automatically
     synchronized to the sequencer tempo or envelope follower with
     adjustable sensitivity and attack/release. Moreover, the PSP 84
     contains the fully functional reverb unit, with simplified settings
     carefully tuned to exactly reproduce the sound of classic spring and
     plate reverberators. 
     
     
     Features: 
     
     * High quality, unique signal processing algorithms, 

     * Up to 10 seconds of delay time per channel (depending on internal *
       sampling frequency), 
       Continuous control over the delay time with little harmonic    
       distortion, 

     * Cross-channel feedback and independent channel settings with channel
       link mode, 

     * Tape saturation simulation with adjustable gain based on the  
       algorithm used in the line of our mastering processors, 

     * Modulation section consisting of LFO and envelope follower mixed in 
       any proportions, 

     * 5 click-free LFO waveforms and variable LFO channel phase offset, 

     * LP, BP, HP filter with adjustable cutoff and resonance, 

     * Flexible filter routing capabilities, 

     * Vintage reverberation module for faithful simulation of spring and  
       plate reverb characteristics, 

     * Parameter filtration for smooth and click-free operation, 

     * Support for sampling rates of up to 192kHz, 

     * MIDI and VST automation of all parameters, 

     * Logic Control support, 

     * 60 presets for easy start. 
     
     
     Applications: 
     
     The PSP 84 is primarily meant for applying to individual tracks within
     a mix and experimenting with drum and synth loops. The included
     presets reveal its huge potential in processing vocal, guitar and bass
     tracks. Though it can be succesfully used for adding classic sounding
     delay, its capabilities go far beyond that. The PSP 84's independent
     channel settings and cross-channel feedback allow for creating
     animated delay effects that are more spacial and cut better through
     the mix than a simple center-panned delay. Resonant filters and a
     modulation section that synchronizes to the host tempo make it
     possible to create superb auto-wah-wah effects, warm smoky dub sweeps,
     evolving ambient textures, as well as to easily shape the wet signal's
     spectral contents. The PSP 84 can create both pristine clean sounding
     echoes or degenerate the signal to great extent - all depending on
     your needs -, thanks to the variable internal sampling rate allowing
     the pitch-twist effects, rich vocal doublers, flangers and unsurpassed
     detune effects to be achieved. Guitarists that are not satisfied with
     dry and cold sounding tracks recorded using direct-boxes will
     appreciate saturation algorithm, great for adding mild overdrive and
     harmonic contents enrichment. Last but not least, the unique
     reverberation unit allows for adding space and warmth that most of the
     digital reverbs lack. 
     
     
     Minimum system requirements: 
     
     MacOS X 10.4.0 or later 
     IntelMac or PowerPC G4 or G5 
     512 MB RAM 
     AudioUnit, VST or RTAS compatible host application 
     ProTools TDM/LE 7.3 or later for running RTAS 
     MacOS 8.5 
     VST or RTAS compatible host application 
     256 MB RAM 
     G3 300 Mhz 
     High Color S-VGA, 1024x768 

	 
     NOTE: Special Thanks goes to TEAM BEAT that created the KeyGen for    
           this release.
     
     
     
     Version 1.5.3 Notes:
     
     - AudioUnit PowerPC <> Intel-Mac session portability issues resolved.
     - Unresponsive GUI controls now work fine in Digital Performer.
     - Default bank feature added, which allows user to specify the bank file 
       to be automatically loaded on plug-in startup (the factory bank can 
       always be restored by apple/ctrl clicking on the default bank icon).
     - PC/PPC/Intel-Mac bank/preset file portability issues resolved

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                                Unpack, Install 
                      Use KeyGen to register the product


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   BEAT, NGEN, Lz0, JGT, ROGUE, AGAiN, MAGNiTUDE, PsyCZ, SUSHi, H2O, DELiRiUM   

                    Remember to BUY the stuff if you USE it.

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