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Hoefler Chronicle Text Complete WinALL Commercial FontSet

Full name: Hoefler.Chronicle.Text.Complete.WinALL.Commercial.FontSet-SCRiPT.nfo


DATE SECTION NAME GROUP SRCH
2009-09-24 ALL Hoefler Chronicle Text Complete WinALL Commercial FontSet.full.rar Cracked Search .nfo
2009-09-20 ALL Hoefler Chronicle Text Complete WinALL Commercial FontSet [FullVersion] Cracked Search .nfo
2009-09-22 ALL [HIGHSPEED] Hoefler Chronicle Text Complete WinALL Commercial FontSet Cracked Search .nfo
2009-09-25 ALL [TRUSTED DOWNLOAD] Hoefler Chronicle Text Complete WinALL Commercial FontSet Cracked Search .nfo


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Û (RELEASE  INFO)                       ÛÛÛÛ     RELEASE DATE: 22/05/2008
Û ²²                                    ÞÛÛÛÝ    SiZE iN MB  : 01 x 1.44MB
Û ÛÛ         FONT NAME : CHRONICLE TEXT
Û ÛÛ         PUBLISHER : Hoefler & Frere-Jones Inc.
Û ÛÛ         PRIZE     : $499                    TYPE        : OpenType
Û ²² ßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßß ÛÛÝÛ
Û (RELEASE  NOTES)                                                         ÛÛ Û
Û ²²                                                                       ÛÛ Û
Û ÛÛ    Chronicle, a "blended Scotch."                                     ÛÛ Û
Û ÛÛ                                                                       ÛÛ Û
Û ÛÛ    A vigorous hybrid of time-honored forms and contemporary design    ÛÛ Û
Û ÛÛ    strategies, Chronicle Text is a new suite of high-performance      ÛÛ Û
Û ÛÛ    text faces that brings strength and utility to the classic serif.  ÛÛ Û
Û ÛÛ                                                                       ÛÛ Û
Û ÛÛ    Seriffed text faces are often casually grouped into two major      ÛÛ Û
Û ÛÛ    divisions: wholehearted Old Styles, which vaguely reference their  ÛÛ Û
Û ÛÛ    calligraphic origins, and steely Moderns, whose highly rational    ÛÛ Û
Û ÛÛ    designs aspire to mathematical precision. Old Styles are prized    ÛÛ Û
Û ÛÛ    for their warmth, which they achieve through heavily bracketed     ÛÛ Û
Û ÛÛ    serifs and a policy of planned inconsistencies (an Old Style's     ÛÛ Û
Û ÛÛ    lowercase c and o are thickest in different places, for example.)  ÛÛ Û
Û ÛÛ                                                                       ÛÛ Û
Û ÛÛ    Moderns produce the opposite result — a detached, elegant          ÛÛ Û
Û ÛÛ    simplicity — and, crucially for both typefounders and designers,   ÛÛ Û
Û ÛÛ    their forms naturally invite endless variation in weight and       ÛÛ Û
Û ÛÛ    width.                                                             ÛÛ Û
Û ÛÛ                                                                       ÛÛ Û
Û ÛÛ    Bridging these extremes is the Transitional style, which combines  ÛÛ Û
Û ÛÛ    the energy and ardor of Old Styles with the sobriety and           ÛÛ Û
Û ÛÛ    adaptability of Moderns. The most functional and enduring          ÛÛ Û
Û ÛÛ    subspecies of Transitional is the Scotch, a form of typeface       ÛÛ Û
Û ÛÛ    originating at the end of the eighteenth century, and associated   ÛÛ Û
Û ÛÛ    with Scottish typefounders Alexander Wilson and William Miller.    ÛÛ Û
Û ÛÛ    The opening of the Binny & Ronaldson foundry in Philadelphia,      ÛÛ Û
Û ÛÛ    begun by Scottish émigrés Archibald Binny and James Ronaldson      ÛÛ Û
Û ÛÛ    in 1796, helped establish the style in the United States, where    ÛÛ Û
Û ÛÛ    it has since remained a fundamental part of the modern typographic ÛÛ Û
Û ÛÛ    vocabulary. Some of the twentieth century’s most significant       ÛÛ Û
Û ÛÛ    designs are tributes to the Scotch style, including W. A.          ÛÛ Û
Û ÛÛ    Dwiggins' interpretive Caledonia (1938), and Matthew Carter's      ÛÛ Û
Û ÛÛ    definitive anthology Miller (1997).                                ÛÛ Û
Û ÛÛ                                                                       ÛÛ Û
Û ÛÛ    The Style Revisited                                                ÛÛ Û
Û ÛÛ                                                                       ÛÛ Û
Û ÛÛ    Nineteenth century Scotch faces enjoyed early popularity among     ÛÛ Û
Û ÛÛ    book printers, but the rise of industrialized newspaper            ÛÛ Û
Û ÛÛ    publishing quickly revealed their limitations. Delicate hairlines  ÛÛ Û
Û ÛÛ    and serifs vanished under thin ink, low quality paper, and         ÛÛ Û
Û ÛÛ    ruthless presses that operated at breakneck speeds. Signature      ÛÛ Û
Û ÛÛ    details, like the pipe-shaped tail on the capital R and lowercase  ÛÛ Û
Û ÛÛ    a, became traps for ink and pulp — a problem that plagued every    ÛÛ Û
Û ÛÛ    lowercase letter in the dainty Scotch italic. The faces that       ÛÛ Û
Û ÛÛ    were gutsy and smart when carefully printed were undone by the     ÛÛ Û
Û ÛÛ    slightest variables: underinked they became dour, overinked they   ÛÛ Û
Û ÛÛ    felt sluggish.                                                     ÛÛ Û
Û ÛÛ                                                                       ÛÛ Û
Û ÛÛ    Beginning in 2002, we revisited the Scotch style with the goal     ÛÛ Û
Û ÛÛ    of producing two families of fonts: a text face that would         ÛÛ Û
Û ÛÛ    withstand the effects of different kinds of media, and a           ÛÛ Û
Û ÛÛ    display face that would unlock the potential of the Scotch         ÛÛ Û
Û ÛÛ    style to support a broad range of weights and widths. The          ÛÛ Û
Û ÛÛ    result is Chronicle Text, a series of hard-working text faces      ÛÛ Û
Û ÛÛ    produced in four press-sensitive “grades”, and Chronicle Display,  ÛÛ Û
Û ÛÛ    an abundant collection of 46 display faces that includes three     ÛÛ Û
Û ÛÛ    different widths, six different weights, and versions for two      ÛÛ Û
Û ÛÛ    different sizes — each in both roman and italic.                   ÛÛ Û
Û ÛÛ                                                                       ÛÛ Û
Û ²² ßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßß ÛÛ Û
Û (GROUP  INFO)                                                            ÛÛ Û
Û ²²                                                                       ÛÛ Û
Û ÛÛ    Founded in 2004, SCRIPTUM is trying to bring you both, the         ÛÛ Û
Û ÛÛ    most expensive and the finest fonts available. All of our          ÛÛ Û
Û ÛÛ    members are in the scene for a long time and share many years      ÛÛ Û
Û ÛÛ    of experience. Through our close contact to other font             ÛÛ Û
Û ÛÛ    releasing groups, we can always make sure that our releases        ÛÛ Û
Û ÛÛ    are unique and the best that the scene has to offer.               ÛÛ Û
Û ÛÛ                                                                       ÛÛ Û
Û ÛÛ    We're currently looking out for:                                   ÛÛ Û
Û ÛÛ    - People who can get their hands on latest font releases           ÛÛ Û
Û ÛÛ    - Suppliers that can supply us with something useful               ÛÛ Û
Û ÛÛ    - HQ Sites                                                         ÛÛ Û
Û ÛÛ                                                                       ÛÛ Û
Û ÛÛ      E-Mail: scriptum.fonts(at)googlemail.com                         ÛÛ Û
Û ÛÛ                                                                       ÛÛ Û
Û ÛÛ    Appreciate the work of font designers. Do not share this font      ÛÛ Û
Û ÛÛ    on the web or in public P2P networks! Furthermore, this release    ÛÛ Û
Û ÛÛ    is for private use only!                                           ÛÛ Û
Û ÛÛ                                                                       ÛÛ Û
Û ²² ßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßß ÛÛ Û
Û (GREETINGS  TO)                                                          ÛÛ Û
Û ²²            ACME   DEV   DWP   EQX   F4CG   LCD   Lz0   META           ÛÛ Û
Û ÛÛ                                                                       ÛÛ Û
Û ÛÛ ßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßß ÛÛ Û
ÛÛÛÛ                                                                    h^ ÛÛÛÛ


 


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