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Magix Samplitude FX Suite VST v1.0

Full name: Magix.Samplitude.FX.Suite.VST.v1.0-AiR.nfo


DATE SECTION NAME GROUP SRCH
2009-09-24 ALL Magix Samplitude FX Suite VST v1.0.full.rar Cracked Search .nfo
2009-09-20 ALL Magix Samplitude FX Suite VST v1.0 [FullVersion] Cracked Search .nfo
2009-09-22 ALL [HIGHSPEED] Magix Samplitude FX Suite VST v1.0 Cracked Search .nfo
2009-09-25 ALL [TRUSTED DOWNLOAD] Magix Samplitude FX Suite VST v1.0 Cracked Search .nfo


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    ÛÛÛ        ßßßßßßß         PROUDLY PRESENTS       ßßßßßßßß        ÛÛÛ
     ÛÛÜ                                                             ÜÛÛ
       ÛÜ             Magix.Samplitude.FX.Suite.VST.v1.0            ÜÛ
        Û                                                           Û
        ßÛ                                                         Ûß
         Û  SUPPLIER ..: TEAM AiR                                  Û
         Û  PROTECTION : SERIAL                                    Û
         Û  SIZE ......: 02 * 4,77MB  	      		           Û
         Û  DATE ......: 02/2007                                   Û
         Û                                                         Û
         Û  MAGIX presents three  VST effect plug-in  collections  Û
         Û  for Windows: AM  | Suite (Analogue  Modelling Suite),  Û
         Û  VE | Suite (Vintage  Effects Suite) and VariVerb  Pro  Û
         Û  (VARIable  reVERB).  The  release  of  these plug-ins  Û
         Û  enable  you  to  use  the  effect  plug-ins   already  Û
         Û  integrated into MAGIX' flagship products Sequoia  and  Û
         Û  Samplitude in  any other  VST-enabled audio  products  Û
         Û  for the first time.                                    Û
         Û                                                         Û
         Û  AM | Suite - Analogue Modelling Suite                  Û
         Û                                                         Û
         Û  The  Analogue  Modelling Suite  features  three audio  Û
         Û  tools based on  replicas of classic  circuit designs:  Û
         Û  am-track  analogue  compressor,  am-pulse   transient  Û
         Û  designer and am-phibia pre-amp / channel strip:        Û
         Û                                                         Û
         Û  am-track is a  combination of an  analogue compressor  Û
         Û  and  a tape  simulator in  one single  device. It  is  Û
         Û  primarily used for so-called "tracking", i.e. editing  Û
         Û  individual  channel   strips  or   subgroup  signals.  Û
         Û  Compression  can  be  executed  either  as  modern or  Û
         Û  "vintage". With emulation of the tape machine  sound,  Û
         Û  typical  aspects  of   the  large,  saturated   sound  Û
         Û  characteristics  of  the magnetic  recording  for the  Û
         Û  hard disk studio can be made reality at low costs and  Û
         Û  high quality.                                          Û
         Û                                                         Û
         Û  am-pulse is  a "transient  modeler", a  creative tool  Û
         Û  for  editing  envelope   and  sustain  processes   on  Û
         Û  percussive  or  dynamic  signals.  Furthermore,   the  Û
         Û  signal  can  be  subtly  "analogued"  or considerably  Û
         Û  distorted   by   modulating   the   subsequent   tube  Û
         Û  saturation and treble exciter sections.                Û
         Û                                                         Û
         Û  am-phibia  is  a  tube  amplifier/channel  strip.  It  Û
         Û  combines an  optical compressor  with a  pre and post  Û
         Û  filter unit.  As a  result of  the various  different  Û
         Û  filter circuits, the device can be varied to a  large  Û
         Û  extent  and  used  as a  vocal  pre-amp,  tube guitar  Û
         Û  amplifier or to create "warmer" sound characteristics  Û
         Û  according to the input signal and audio style.         Û
         Û                                                         Û
         Û  The  plug-ins   in  the   Analogue  Modelling   Suite  Û
         Û  recognize  the  number of  incoming  signals and  can  Û
         Û  function automatically  in mono  to reduce  processor  Û
         Û  strain by  preventing the  sending of  another signal  Û
         Û  for calculation.                                       Û
         Û                                                         Û
         Û  VE | Suite - Vintage Effects Suite                     Û
         Û                                                         Û
         Û  The Vintage  Effects Suite  includes three  plug-ins,  Û
         Û  CORVEX, ECOX and FILTOX, a chorus/flanger, delay  and  Û
         Û  filter plug-in.                                        Û
         Û                                                         Û
         Û  CORVEX, ECOX and  FILTOX are each  based on the  same  Û
         Û  basic handling  principle: as  required, a  modulator  Û
         Û  (LFO) controls  almost all  knobs accessible  via the  Û
         Û  "frontplate".  This   principle  enables   an  almost  Û
         Û  inexhaustible supply of  forms for sound  design from  Û
         Û  subtle to crazy  distortion effects. For  example, on  Û
         Û  normal guitar choruses: with CORVEX you can have  the  Û
         Û  sound  travel  through  the room  by  changing  a few  Û
         Û  modulation settings, with  ECOX you can  reinvigorate  Û
         Û  old tape  echoes, and  with FILTOX  you can  add more  Û
         Û  power to weaker drum loops.                            Û
         Û                                                         Û
         Û  VariVerb Pro                                           Û
         Û                                                         Û
         Û  VariVerb Pro (short for:  VARIable reVERB) is a  high  Û
         Û  -quality reverb plug-in  that runs on  an algorithmic  Û
         Û  basis. It provides a  series of rooms, halls,  reverb  Û
         Û  plates,  spring  reverbs  and  so-called   non-linear  Û
         Û  effects,  which  can  be  edited  comprehensively and  Û
         Û  easily.                                                Û
         Û                                                         Û
         Û  "Algorithmic"  refers  to the  reverb  impression not  Û
         Û  being created  using impulse  responses, as  is often  Û
         Û  the case nowadays.  Instead the calculation  is based  Û
         Û  on  mathematic  models,  like  with  classic   reverb  Û
         Û  devices. With VariVerb these algorithms can be chosen  Û
         Û  via a  "model" list,  each specialized  on a specific  Û
         Û  replica or a specific  purpose and given its  own set  Û
         Û  of parameters. On the other hand, technology based on  Û
         Û  convolution is only able  to interpret a static  copy  Û
         Û  of a process, it doesn't know the room.                Û
         Û                                                         Û
         Û  The algorithms:                                        Û
         Û                                                         Û
         Û  Room A: Small to medium-sized room, dampening of  the  Û
         Û  low    frequencies,    immediate    response,    high  Û
         Û  density/diffusion.                                     Û
         Û                                                         Û
         Û  Room B: Room similar  to A, less dampening,  slightly  Û
         Û  different  reflection   pattern,  responding   a  bit  Û
         Û  slower.                                                Û
         Û                                                         Û
         Û  Hall  A:  Larger hall,  slower  reverb buildup,  less  Û
         Û  density than the "rooms".                              Û
         Û                                                         Û
         Û  Hall B: Similar to hall  A but later response of  the  Û
         Û  reflection, slightly "colder" sound.                   Û
         Û                                                         Û
         Û  Retro Room: Classic room effect in the style of  well  Û
         Û  -known hardware reverb devices from the 80s/90s. More  Û
         Û  artificial algorithms than the previous methods.  The  Û
         Û  vintage/retro  character  takes  center  stage  here,  Û
         Û  definitely an "effect" sound.                          Û
         Û                                                         Û
         Û  Retro Hall:  Type of  creation like  retro room,  but  Û
         Û  this is a classic hall effect with the  corresponding  Û
         Û  reflection pattern.  Thick, cloud-like  reverberation  Û
         Û  tail.                                                  Û
         Û                                                         Û
         Û  Plate A: Classic reverb plate, high diffusion,  quite  Û
         Û  "dark" and "heavy", slight panorama effects.           Û
         Û                                                         Û
         Û  Plate B: Reverb plate  similar to A but  with lighter  Û
         Û  character, faster response.                            Û
         Û                                                         Û
         Û  NonLin Gate: Non-linear reverb, no sustain but abrupt  Û
         Û  end instead (classic "gated" reverb effect).           Û
         Û                                                         Û
         Û  NonLin Reverse: Reverb with reversed amplitude, sound  Û
         Û  impression played such as "backwards".                 Û
         Û                                                         Û
         Û  Spring A: Model  of a reverb  spiral with two  linked  Û
         Û  spring systems, typical  echo effects and  excitation  Û
         Û  noise.                                                 Û
         Û                                                         Û
         Û  Spring B: Similar to spring A; however, the vibration  Û
         Û  is "softer".                                           Û
         Û                                                         Û
         Û  HQ Room A/B  & Hall A/B:  Extremely high quality  and  Û
         Û  very   complex   simulation,   which,   however,   is  Û
         Û  associated with high processor strain.  Nevertheless,  Û
         Û  or maybe  because of  it, it's  the definitive  "main  Û
         Û  reverb"  algorithm.   Very  plastic,   tangible  room  Û
         Û  impression with free positioning of the sound  source  Û
         Û  and the listening location. Here, the A and B  models  Û
         Û  differ slightly from one another like in the  regular  Û
         Û  room and hall algorithms, that is, HQ room A provides  Û
         Û  somewhat   different    dimensions   and    different  Û
         Û  composition  than  B.  With  the  HQ  halls,  hall  B  Û
         Û  communicates with  A later  and sounds  slightly more  Û
         Û  complex.                                               Û
         Û                                                         Û
         Û                                                         Û
         Û                                                         Û
         Û  http://www.samplitude.com/                             Û
         Û                                                         Û
         Û                                                         Û
         Û                                                         Û
         Û  Installation Notes :                                   Û
         Û  --------------------                                   Û
         Û                                                         Û
         Û  1) Unzip, Unrar and run Setup.exe                      Û
         Û                                                         Û
         Û  2) Enjoy this fine Team AiR release !!!                Û
         Û                                                         Û
         Û                                                         Û
         Û                                                         Û
         Û                                                         Û
        ÜÛ                                                         ÛÜ
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     ßßÛÛÛÜÜÜßß      nFO lAYOUT (c) 2006 bEARCAVE-dESIGN      ßßÜÜÜÛÛÛßß
			   			


 


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