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 þÄÄÄÙ          B E A T   P R O U D L Y   P R E S E N T S:          ÀÄÄÄþ
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      .....Waldorf.Waldorf.Edition.VSTi.v1.2.3.incl.KeyGen-BEAT.....

       Date.: 1109 2006                   Supplier.: Team DYNAMiCS
       Disk.: [xx/04]                     Cracker..: Team BEAT
       Type.: VSTi/VST
       URL..: http://www.waldorfmusic.de

 þ   ÚÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ¿   þ
 ÃÄÄÄÙ                  R E L E A S E   N O T E S                   ÀÄÄÄ´
 ÀÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÙ

      Waldorf Attack Percussion Synthesizer
      
      ATTACK is a true percussion synthesizer for the VST PC and Mac
      platform. It seamlessly integrates the sound of the 80's
      analog classics and the ambitious electronic club drums of the
      90's into the VST system of the 21st century. ATTACK generates
      all its sounds in real time, giving you the freedom to alter
      all parameters directly.
      
      ATTACK has 24 sounds available per percussion set, spread over
      two octaves. The sound architecture is extremely flexible, as
      one would expect from a Waldorf synthesizer. Two oscillators,
      each with nine waveforms, represent the sources. In addition
      to well-known analog waveforms, ATTACK offers three samples to
      help create hi-hats or crash cymbals. Ring modulation and
      frequency modulation expand the sound spectrum with a metallic
      component and FX sounds. The integrated "Crack" module takes
      care of reproducing analog handclaps authentically. ATTACK
      contains a filter section with 6 filter types, resonance up to
      self-oscillation, and an overdrive of up to +52dB. The two
      envelopes are used to alter oscillator pitches, FM amount,
      filter cutoff, and the output volume. Two modulation delays
      and eight outputs (2 stereo, 4 mono) connect ATTACK to the VST
      world. Seamless integration into the VST 2.0 interface means
      that all parameters may be addressed via MIDI controllers,
      allowing you to create powerful dynamic changes.
      
      And as though this were not enough - twelve sounds in each
      drum set can be played melodically. With this feature you can
      create tom fills and conga or other percussive grooves in no
      time, and you can even play bass, melody or sequencer lines.
      
      Features
      
      - Virtual analog sound synthesis
      - 31 sounds kits with over 700 sounds included
      - 16 percussion sets per FX Bank
      - 24 percussion sounds per set
      - Per sound (editable):
        - 2 oscillators, each with 9 waveforms (triangle, sine,
          square, sawtooth, sample&hold, noise, samples: closed
          hi-hat, open hi-hat,crash)
        - FM
        - Ring Modulation'Crack'-module for authentic analog hand
          claps
        - 6 filter types with resonance up to self-oscillation and
          overdrive
        - 2 envelopes for pitch, FM amount, filter cutoff and
          loudness
      - all parameters addressable via MIDI controllers
      - 8 audio outputs (2 stereo, 4 mono)
      - Two integrated and synchronizable modulation Delays for the
        stereo outs
      - Polyphonically playable percussive bass and lead sounds
      
      PPG Wave 2.V Classic Wavetable Synthesizer for VST
      
      The Wave 2 series was the first digital wavetable synthesizer
      with analog filters, heralding a revolution in both sound and
      concept. The Wave's most interesting feature was its ability
      to sweep through 64 waveforms in what PPG called a wavetable.
      
      Almost 2000 waveforms were available within the Wave's 32
      internal wavetables. The result of this wavetable technology
      is that the PPG instrument has a much broader palette and more
      animated sound than typical analog synthesizers of the early
      80's, which tended to have only a few static waveforms such as
      sawtooth, pulse, or triangle. The PPG sound was very unique
      and identifiable.
      
      Now we bring this exclusive sound back to life with all the
      advantages a completely integrated software production
      environment such as Cubase VST has to offer: The outputs
      appear directly in the VST mixer, so effects and EQ can be
      applied like any other audio channel. MIDI tracks are routed
      directly to the input of the PPG Wave 2.V without involving
      the vagaries of MIDI cables and interfaces.
      
      The polyphony now depends solely on the CPU power of your
      computer and opening up to 8 PPG Wave 2.Vs, each with 8 times
      multitimbral capability, gives you more than enough space for
      your sound imagination. A new graphical page offers easy
      editing of envelopes, generators and Cutoff/Emphasis.
      
      The combination of modern software technology plus the charm
      and massive sound potential of the "old" digital days results
      in a unique instrument which brings back individuality and
      pure fun: The PPG Wave 2.V.
      
      Features
      
      - 8 times multitimbral
      - 32 wavetables with 64 different waveforms each
      - 2 oscillators per voice
      - low-pass filter with Emphasis
      - 1 LFO
      - 3 envelopes (2 ADSR, 1 AD)
      - Velocity and Aftertouch sensitivity
      - Graphical interface for envelope generators and
        Cutoff/Emphasis
      - Number of voices depending solely on CPU power
      - Real-time MIDI control and automation of all parameters
      - Up to 8 units can work at the same time (depending on CPU
        power)
      - Complete unit and all settings can be saved with the song
        (Cubase VST)
      - Sound rendering (Cubase VST)
      
      D-Pole Filter Plug-In for VST
      
      With the Microwave II, Waldorf entered the fully digital sound
      domain for the first time, and made the impossible possible: A
      digital filter with exactly the same behavior as its analog
      counterpart, but even more flexible.
      
      The D-POLE is a musically versatile Filter Plug-In which
      offers the same experimental capabilities as the hardware
      equivalent. Now nothing prevents you from filtering your voice
      with no less than 5 filter types. Morph a simple acoustic drum
      loop into a biting groovy dance rhythm using the LFO (whose
      speed is also adjustable in BPM). Add Overdrive to your lead
      guitar. Get the vintage ring-modulated sound for really wild
      experiments and send it through the stereo delay...
      
      Create completely new audio material for sound FX purposes
      within seconds due to the real-time facility of VST. All
      important parameters can be fully automated and settings can
      be easily saved as single programs or banks. You don't have to
      stop your work to be creative, because creativity might not
      wait for you!
      
      Features
      
      - Filter Module
        - Frequency 0Hz up to over 17000Hz
        - Resonance up to self-oscillation
        - 5 Filter types:
          - Low Pass
          - Band Pass
          - High Pass
          - Notch
          - Resonator
        - 12dB / 24dB Slope selectable
      - Amplifier Module
        - Overdrive up to 52dB
        - Volume
        - Panning
        - Delay Mix
      - LFO Module
        - LFO Speed up to over 7000Hz, syncable to tempo and audio
        - 3 LFO Shapes:
          - sinus
          - triangle
          - saw
        - Positive or negative modulation of Filter Cutoff, Panning
          and Oscillator Pitch
      - Envelope Follower Module
        - Adjustable Decay Rate
        - Positive or negative modulation of Filter Cutoff
      - Delay Module
        - Delay Time up to 2000ms, syncable to tempo
        - Feedback up to 100%
        - Damping
      - Oscillator Module
        - Ring Modulation
        - Frequency up to over 7000Hz
        - Shapes:
          - Sine
          - Triangle
          - Saw
      
      Waldorf Edition Update V1.2.3
      
      30/10/2006:
      This update is strongly recommended for all users of the new
      Waldorf Edition package published by Waldorf. It addresses the
      following issues:
      
      - Saving and loading of Sounds and Banks on computers with
      Intel processors (Windows and Intel Mac) with the PPG Wave
      2.V. The resulting files had some wrong values that might
      result in wrong behaviour or even crashes when loading them or
      opening song projects. Note that the PPG Wave 2.V 1.2.3 can
      load these erroneous Sounds or Banks and saves them back
      properly if wanted.
      
      - Opening the PPG Wave 2.V as AudioUnit in Logic might result
      in up to 32 output channels assigned to the PPG Wave 2.V when
      run as a multi out instrument. On these outputs, digital noise
      might have occured.


 þ   ÚÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ¿   þ
 ÃÄÄÄÙ                  I N S T A L L   N O T E S                   ÀÄÄÄ´
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      1) Unzip Setup.zip to your VST plugs dir
      2) Run KeyGen.exe to generate a key into registry

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 ³Updated On/ /_/ / /___/ ___ |/ /                                      ³
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