ÜÜ ÜÜÜ ßß
ÜÜÛÛß ÜÜÛß ÜÜÛÛÛÛÛÛÜ
ÜÜÛßÛÛÛß ÜÛÛß ÜÛÛßß ßÛÛÛ
ÜÛß ÜÜÛßß ÜÛÛÛ ÜÛÛÛ ÜÛÛÛÛÛÜÜÜÛÛßß ßÛÜ
ßÛÛÜÜÜ ÜÜÜÛÛÛÛßßßÛÛÛÛ ÜÛÛÛ ÜÛÛÛßÛÜÜÜÜ ÜÜÜÛÛß
ßÛÛÛÛÛÛÛÛÛÛÛßß ßÛÛÛ ßÛÛÛÜ ßßÛÜ ßßßÛÛÛÛÛÛÛÛÛÛÛÛß
ÜÜÛÛÛÜÜÜ ßßßßß Ü ßßÛÜÜ ßßßß Ü ßßßßßß ÜÜÜÛÛÛÜÜ
ÜÛÛÛßßßßÛÛÛÜÜÜ ÜÜÜÛÛß ßÛÛÜÜÜ ÜÜÜÛÛÛßßßßÛÛÛÜ
ÛÛÛ ßßßßßßß PROUDLY PRESENTS ßßßßßßßß ÛÛÛ
ÛÛÜ ÜÛÛ
ÛÜ Synful.Orchestra.VSTi.DXi.v2.31 ÜÛ
Û Û
ßÛ Ûß
Û SUPPLIER ..: TEAM AiR Û
Û PROTECTION : SERIAL Û
Û SIZE ......: 10 * 4,77MB Û
Û DATE ......: 09/2006 Û
Û Û
Û Û
Û VST/DXI Virtual Synthesizer Plugin Û
Û Û
Û Synful Orchestra is new. It is not a sampler, it is Û
Û not a sample library. It's a real change in the Û
Û way music synthesis is done. Û
Û Û
Û Û
Û Realism, Expression and Smart Articulation Û
Û Û
Û Realistic instrument simulations depend on the Û
Û transitions between notes, as much as on the Û
Û individual timbres. Slurs with varying amounts of Û
Û portamento, lightly tongued or bowed note Û
Û transitions, fast runs, detached hard attacks – these Û
Û note transitions are the connective tissue of musical Û
Û expression. Whether you play live from keyboard or Û
Û edit directly in a sequencer Synful Orchestra Û
Û responds automatically with realistic sounding note Û
Û transitions. There are no special buttons or phrasing Û
Û tools. If you play staccato Synful Orchestra creates Û
Û staccato attacks. If you play legato Synful Orchestra Û
Û creates realistic legato transitions. Synful Û
Û Orchestra models the way notes are sustained, the Û
Û graceful onset of vibrato, breath sounds, the sound Û
Û of the bow on the string, the change of tone color as Û
Û a note becomes louder or softer. Using the innovate Û
Û Synful Pitch Wheel mode, you can easily create Û
Û natural string portamento. Synful Orchestra lets you Û
Û make music like a musician not like a programmer. Û
Û Û
Û Synful Reconstructive Phrase Modeling Technology Û
Û Û
Û Synful Orchestra is not a sampler or a sample Û
Û library. Synful Orchestra is not a physical modeling Û
Û synthesizer. It is an entirely new concept in music Û
Û synthesis. At the heart of Synful Orchestra is Û
Û Synful’s Reconstructive Phrase Modeling (RPM) Û
Û technology. This is the result of many years of Û
Û research, several patents, and a lifetime of Û
Û experimentation, design, and frustration with older Û
Û synthesis technologies. Û
Û Û
Û RPM Phrase Database: Morphing and Splicing Û
Û Û
Û RPM technology uses a database of recorded phrases of Û
Û orchestral instruments. These are not recordings of Û
Û isolated notes but complete musical passages that Û
Û represent all kinds of articulation and phrasing. Û
Û When Synful Orchestra receives MIDI input it looks at Û
Û the pitch, velocity, amount of separation or overlap Û
Û between notes, note duration, volume, pitch, and Û
Û modulation controls to determine what kind of phrase Û
Û is being played. Synful Orchestra uses a set of Û
Û advanced algorithms to search the RPM Phrase Database Û
Û in real-time for fragments that can be spliced Û
Û together to form this phrase. These fragments Û
Û represent transitions between notes, slurs with Û
Û portamento, lightly tongued transitions, aggressive Û
Û fast bowing, rapid runs, long sustain regions with Û
Û graceful vibrato, and noise elements like flute Û
Û chiffs and bow scratches. Synful Orchestra morphs Û
Û these fragments by stretching and shifting in time Û
Û and pitch so that they combine to form the final Û
Û output. Û
Û Û
Û Synful RPM Additive Synthesis Û
Û Û
Û A single note in Synful Orchestra may be built from Û
Û three or more rapidly spliced RPM phrase fragments. Û
Û Splicing ordinary PCM sampled sounds in this way Û
Û would create unacceptable warbles and clicks. Synful Û
Û Orchestra uses a patented form of additive synthesis Û
Û in which sounds are generated from combinations of Û
Û pure sine waves and noise elements. This gives Synful Û
Û Orchestra the ability to rapidly stretch, shift, and Û
Û splice phrase fragments while preserving perfect Û
Û phrase continuity. Û
Û Û
Û MIDI Look Ahead Û
Û Û
Û Realistic note transitions begin before a new note Û
Û starts. When a wind player plays a slur, the timbre Û
Û and intensity of the current note begins to change Û
Û well before the pitch changes to the new note. This Û
Û anticipation of the upcoming note is a key aspect of Û
Û expressive playing. Performers can do this because Û
Û they know ahead of time when they are going to play a Û
Û new note and they prepare for it with changes in Û
Û embouchure and breath pressure. Û
Û Û
Û To model this kind of expression a synthesizer needs Û
Û to have the same knowledge of the future. Synful Û
Û Orchestra handles this with two modes of operation. Û
Û When playing live from a keyboard Synful Orchestra Û
Û has no knowledge of when a new note is coming, and so Û
Û it does its best to react as expressively as possible Û
Û with low latency when a new note occurs. However, Û
Û when playing from a sequence Synful Orchestra can Û
Û optionally add a delay to the Midi input. This delay Û
Û allows Synful Orchestra to look ahead in the Midi Û
Û sequence, recognize when a new note is coming, and Û
Û anticipate it with appropriate changes to the timbre Û
Û and intensity of the current note. The result is more Û
Û realistic and natural phrasing. Û
Û Û
Û Realistic String, Brass, and Woodwind Sections Û
Û Û
Û Any Synful Orchestra solo instrument can be turned Û
Û into a natural sounding section. Synful Orchestra Û
Û uses its RPM database to guarantee realistic Û
Û variation between players. You can select the number Û
Û of players in the section, how the players are Û
Û positioned on stage, the rhythmic variation between Û
Û the players, detuning among the players, and more. Û
Û Û
Û Natural Divisi Û
Û Û
Û Synful Orchestra sections simulate realistic and Û
Û natural divisi. If you play a monophonic line with Û
Û ten violin players then they all play that line. If Û
Û you play a ten note chord then each player will play Û
Û one note in the chord and the ten players will be Û
Û spread out in space. If you play three note chords Û
Û then the ten players distribute themselves Û
Û automatically 4-3-3 across the notes. Û
Û Û
Û Flexible Player Positioning Û
Û Û
Û Synful Orchestra instruments are positioned on a Û
Û virtual stage. The player and listener positions and Û
Û room size can be adjusted. Each instrument in the Û
Û orchestra sounds like its coming from a specific Û
Û location. The Synful sound positioning technology Û
Û uses inter-aural level differences and inter-aural Û
Û time differences, direct signals and as well as wall Û
Û and ceiling reflections to synthesize player Û
Û position. The result is much more realistic sounding Û
Û than simple panning. Û
Û Û
Û Authentic Vibrato Controlled from the Mod Wheel Û
Û Û
Û Traditional samplers have two ways of introducing Û
Û vibrato – both are inadequate. In the first, the Û
Û vibrato is recorded with the sample. The vibrato can Û
Û sound authentic but it is frozen so that you cannot Û
Û control it as part of an expressive performance. The Û
Û second way records samples without vibrato and then Û
Û applies artificial frequency and amplitude modulation Û
Û (LFO) during synthesis. This allows expressive Û
Û control but sounds artificial because the vibrato is Û
Û too simple. Synful Orchestra uses its RPM additive Û
Û synthesis technology to provide the best of both Û
Û techniques. With Synful Orchestra the vibrato you Û
Û hear is the original rich and complex vibrato of the Û
Û recorded phrases in the RPM database. However, you Û
Û can also control the vibrato using the Mod wheel so Û
Û that it sounds expressive within the context of the Û
Û phrase. Û
Û Û
Û Synful Pitch Wheel Mode Û
Û Û
Û Getting authentic sounding string slides and Û
Û portamento has always been challenging for Û
Û synthesizers and samplers. Synful introduces the new Û
Û Synful Pitch Wheel Mode which makes it easy to Û
Û generate expressive and natural sounding pitch slides Û
Û and portamento. Û
Û Û
Û Synful Orchestra is Small and Efficient – Great for Û
Û Desktops and Notebooks Û
Û Û
Û The recorded phrases in the RPM phrase database are Û
Û stored in additive synthesis format not as PCM Û
Û sampled wave files. This method of storing Û
Û instrumental sounds is much more compact then Û
Û traditional PCM. The entire Synful Orchestra fits in Û
Û just 32M of memory and loads in seconds. Because of Û
Û its compact size Synful Orchestra has no need for Û
Û disk streaming and does not require a computer with a Û
Û state of the art high-speed disk system. Synful Û
Û Orchestra runs great on ordinary desktop and notebook Û
Û computers. Û
Û Û
Û Synful Orchestra Instruments Û
Û Û
Û Piccolo *, Flute, Oboe, English Horn, Clarinet, Bass Û
Û Clarinet*, Bassoon, Contra-Bassoon, French Horn, Û
Û Trumpet, Trombone, Bass Trombone *, Tuba*, Violin, Û
Û Viola, Cello, Contrabass. Û
Û Û
Û Û
Û Features Û
Û Û
Û Realistic slurs, tonguing, and bowing created Û
Û automatically from standard MIDI. No special key Û
Û switches or phrasing tools. Û
Û Û
Û Instruments include Piccolo, Flute, Oboe, English Û
Û Horn, Clarinet, Bass Clarinet, Bassoon, French Horn, Û
Û Trumpet, Trombone, Bass Trombone, Tuba, Violin, Û
Û Viola, Cello, Contrabass. Û
Û Û
Û Realistic string, brass, and woodwind sections. Any Û
Û solo instrument can be made into a section with Û
Û natural variation between players. Û
Û Û
Û Flexible player positioning. Solo instruments or Û
Û section players are positioned on a virtual stage. Û
Û Each instrument in the orchestra sounds like its Û
Û coming from a specific location. Û
Û Û
Û Natural divisi. Play a line with ten violin players Û
Û and they all play that line. Play a chord and the Û
Û players arrange themselves automatically across the Û
Û notes of the chord. Û
Û Û
Û Authentic rich vibrato controlled using the Mod Û
Û Wheel. Û
Û Û
Û Patented Reconstructive Phrase Modeling technology Û
Û uses database of recorded phrases. Fragments from the Û
Û database are spliced together and resynthesized using Û
Û additive synthesis. Û
Û Û
Û Innovative Controls: Harmonic Tilt, Harmonic Parity, Û
Û Transient Noise Trim, Sustain Noise Trim, Gain, Tune, Û
Û Pitch Wheel Range, Delay For Expression. Û
Û Û
Û Synful Pitch Wheel mode for realistic portamento Û
Û slurs and pitch slide effects. Midi look-ahead Û
Û anticipates upcoming notes and begins note Û
Û transitions early –like a real player. Û
Û Û
Û Entire orchestra fits in 32M of memory and loads in Û
Û seconds. 80-140 real-time voices on P4 1.5 GHz Û
Û Notebook Û
Û Û
Û Û
Û Û
Û http://www.synful.com Û
Û Û
Û Û
Û Û
Û Û
Û Installation Notes : Û
Û -------------------- Û
Û Û
Û 1) Unzip, Unrar and run Setup.exe Û
Û Û
Û 2) Enjoy this fine Team AiR release !!! Û
Û Û
Û Û
Û Û
Û Û
ÜÛ ÛÜ
ÜÛ ÛÜ
ÜÛß ßÛÜ
ÜÛÛß ßÛÛÜ
ÛÛÛ ÛÛÛ
ßÛÛÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ Ü Ü Ü Ü ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÛÛß
ßßÛÛÛÜÜÜßß nFO lAYOUT (c) 2006 bEARCAVE-dESIGN ßßÜÜÜÛÛÛßß
