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Krzysztof Komeda--Soundtracks from Roman Polanski Movies-(2000)
Full name: Krzysztof.Komeda--Soundtracks.from.Roman.Polanski.Movies-(2000)-diss.nfo
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d i s s i d e n t
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a r t i s t : Krzysztof.Komeda
t i t l e : Soundtracks.From.Roman.Polanski.Movies
d a t e : 2000
l a b e l : PowerBros
g e n r e : Soundtrack
r l s. d a t e : Jul-17-2002
t r a c k s : 10
b i t r a t e : 192kbps
s i z e : 63,6 MB
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TWO MEN AND A WARDROBE
This film is a short student piece by Roman Polanski. It was
Krzysztof Komeda’s first film soundtrack, and it wasn’t an easy
start, because the film had no dialogue and a lot of the
effects had to be carried by the music. The film was premiered
in 1958 at the International Short Film Festival in Brussels,
and that year is officially given as the date of Two Men and a
wardrobe, although both the film and the music actually date
from 1957. As a leitmotif for the soundtrack music, Komeda used
his first composition, which was premiered at the first Sopot
Jazz Festival in 1956. This was a piece he called Lullaby. The
other Lullaby he wrote was for the film Rosemary’s Baby, at the
end of his life and work. Two lullabies - the first one his
debut, the second one the end of a great but all-to-short
career. The first won third prize in Brussels, the second was
nominated for the Golden Globe Award.
WHEN ANGELS FALL
This is also a short, another student piece by Polanski, dating
from 1959, and in colour. Among those appearing in the film are
Barbara Kwiatkowska - at that time Polanski’s wife, a film
actress later known throughout Europe as Barbara Lass - and
Andrzej Kondratiuk, a friend of Polanski’s from the film
academy, then a student cameraman and now a director. The film
also includes short appearances by some of Polanski’s student
friends, for two reasons, I suppose: it kept the production
costs down, and apart from that, young people regarded making
films as good fun. The role of the electricity meter-reader was
played by Kuba Goldberg, who had previously played one of the
Two Men And a Wardrobe. The communists forced him to leave
Poland, his home, in 1969, and he later became a lecturer at
the film academy in Copenhagen.
KNIFE IN THE WATER
Polanski’s first full-length feature film dates from 1962. The
screenplay was by the director and Jerzy Skolimowski. For
Polanski it was the first full-length film, but for Komeda it
was the seventh, and his sixteenth film score in all, if you
include all his other for short and medium-length films. Among
the musicians on the recording is the Swedish tenor player
Bernt Rosengren. Komeda was really taken with Rosengren’s
talent, and invited him to take part in the session. Getting
agreement for this in the communist Poland of the 1960s was
something absolutely unprecedented, but thanks to Komeda’s
stubbornness and the goodwill of the head of the KADR film
studio, and after many attempts at persuasion in the offices of
the Ministry of Art and Culture, the film authorities, and the
management of the National Bank, I managed to arrange it.
Because, of course, I was my husband’s manager and the producer
of the recording, and it was one of my responsibilities to hire
musicians and draw up contracts with them. The beautiful solo
you can hear on this soundtrack is by that wonderful
saxophonist.
Zofia Komeda.
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01-Knife In The Water 1 [01:06]
02-Knife In The Water 2 [02:22]
03-Knife In The Water 3 [02:33]
04-Knife In The Water 4 [02:10]
05-Knife In The Water 5 [02:37]
06-Knife In The Water 6 [02:39]
07-Knife In The Water 7 [01:09]
08-Knife In The Water 8 [01:23]
09-Two Men And A Wardrobe [14:56]
10-When Angels Fall [15:18]
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46:13 min
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