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þÄÄÄÙ B E A T P R O U D L Y P R E S E N T S: ÀÄÄÄþ
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.......IZotope.Trash.VST.DX.RTAS.v1.08.incl.KeyGen-BEAT.......
Date.: 0719 2006 Supplier.: Team BEAT
Disk.: [xx/04] Cracker..: Team BEAT
Type.: VST/DX/RTAS
URL..: http://www.izotope.com
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ÃÄÄÄÙ R E L E A S E N O T E S ÀÄÄÄ´
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64-bit modeling of classic amps, distortions, delays and
filters.
Key Features
- Complete Amp, Cabinet and Stomp Box modeling tool
- Intuitive design, features not available anywhere else
- Multiband Compression, Distortion and Post-Filter
- Unmatched control over every detail of your sound
- Finally discover your signature sound
Rock the Boat
Trash brings creative control back to the artist. Define your
distortion sound with the Trash toolbox of effects or recreate
the warmth and depth of the classic distortion sounds.
Reenergize and inspire your playing with fresh, exciting
tones. Plug in, rock out, get Trashed!
iZotope Trash is the ultimate tool for selectively adding
distortion to your tracks. You’ll find just as much use for
the subtler tone enhancements to your other tracks—tape
saturation for vocals, overdrive for keyboards or a pinch of
fuzz on a lead guitar, for example. Chain pairs of distortions
together or apply distortion independently to individual
frequency bands. Trash is compatible with most Mac and PC
hosts, supports 192kHz and employs 64-bit for great fidelity
regardless of how nasty you like your sound. Trash is the king
of distortion—and at a price that smokes the competition.
Multiband, Dual-Stage Distortion
Have you used all the “standard” distortion plug-ins out
there, only to find that you still end up with a thin, canned
and basically unrealistic sound? Do you wish you could combine
the ease of use of the “virtual stack” with the intelligent
control of studio effect processors? Trash combines multiband,
dual-stage distortion and an intuitive user interface to prove
that all distortions are not created equal. Add a little
crunch in the midrange without muddying the lows and
over-hyping the highs, give the low end some more thump
without distorting the top. Go one step beyond standard
formats and layer not one, but two types of distortion on each
of the four available frequency bands.
Plug In and Rock Out
Lose a hundred pounds immediately with the Trash diet: shed
pounds of heavy guitar amps, cabinets, and stomp boxes. Trash
comes with more components than you could fit in a studio not
to mention carry. Trash’s low-latency design means you can
take your studio sound to the show. Get the subtle tones of a
recorded sound in a live performance. As a bonus, you can
forget spending the first half hour of sound check tweaking
the knobs on your amp. All you have to do is pull up your
preset and go!
Turn It Up to 11
We'll give it to you straight: Trash is a killer amp
simulator. Now you can get that real overdriven amp sound and
still keep the peace with your neighbors. With 85 box models
to choose from, you'll never run out of options to get the
sound you've been searching for. In addition, we went beyond
the normal boxes you find in the music stores. You’ll find
Telephones, Clock Radios, Sheet Metal, Plexiglass tubes, Piano
cabinets – and those are just a few of the extra models
included with Trash. To get the creative juices flowing, we
also created a new class of cabinets that don't exist in the
material world. When it comes to amp modeling, Trash can be as
real or unreal as you want.
Not Just For Guitar
Sure, Trash sounds great on guitars, but with the flexibility
of multiband distortion, why wouldn’t you want to put
everything else through it? Put it on a mixed drum track and
all of a sudden, you can put different distortion on the kick,
snare and hi-hat. Run your bass through it to get some more
crunch without the extra mud. Add it on top of an organ sound
for a nice vintage feel. Because Trash was built with many
options beyond standard amp simulation, you can really shape
your sound and create your signature tone in whatever you do.
Check out the Trash Recipe Guides for more specific ideas for
your instrument sounds.
Beyond Distortion
In addition to amp modeling, Trash has 36 sweepable filters
and 6 delays to choose from. The pre-filter lets you add a
tremolo, wah, or any number of more exotic effects to your
sound. The buzz module gives you 6 different types of delay
lines ranging from a clean, crisp digital delay to a gritty,
organic tube amplified tape delay. In addition to all the
controls you would expect, a “trash” slider lets you adjust
the amount of distortion applied to the delayed signal and an
output filter lets you shape the wet signal even more.
Usability Enhancements: Integrated Preset System
Your sounds are important to you. The integrated preset system
in Trash makes it easy to keep track of all the variations and
applications of your distortion effects. You can set up
folders of presets for individual recordings or instruments
and pull them up with a couple mouse clicks. Producers,
engineers and sound designers will find this especially
useful, since you’re usually dealing with literally hundreds
of sounds and effects. Additionaly, grab tons of new effect
setups at our preset page.
Multiband Distortion
- apply different distortion types to up to 4 frequency bands
- chain two distortion algorithms for each band
- choose from tons of distortion algorithms
The heart and soul of Trash -- distortion algorithms.
Chain pairs of distortions together for sonic destruction at
64-bit precision. Split the signal into multiple bands and
apply distortion independently to individual frequencies. It's
not pretty -- it's beautiful.
Overdrive: 12AX7 tubes. 6L6 tubes. Transistors. EL34 pentode
tubes. Tape Saturation. All your old friends are here.
Distortion: Symmetrical clipping. Asymmetric limiting.
Harmonic distortion. Sounds you know and sounds you've never
heard before.
Fuzz: Can't get no satisfaction? A half dozen fuzz algorithms,
from smooth germanium transistor fuzz to harsh silicon
clipping fuzz boxes.
Retro: Classic lo-fi distortion effects. Bit decimators and
aliasing algorithms that will take you back to the early 80s.
Wave rectifiers that will take you back to Woodstock.
Faulty: Blown out transistors. Cold solder joints. Radio
noise. Static. Sometimes you've got to go beyond what works
and try something that's just plain broken.
Multiband Dynamics
- up to 4 bands of compression and gating
- extensive metering for immediate visual feedback
- easy-to-handle controls
To control the distortion, you've got to control the levels.
Trash provides a multiband compressor and noise gate to squash
the peaks, silence the noise or just draw out the sustain.
Good meters. Extreme ranges. Great sound. Bring out the body
and kill the noise.
Filters
- pre-filter with LFO and envelope modulation for wah effects
- multiband post-filter for tightening up the final sound
- 36 sweepable filters for tons of options
As any connoisseur of distortion knows -- tone is everything.
Trash gives you prefiltering to drive the frequencies you want
into distortion and postfiltering to tame the ones you don't
want. Shape the tone, make it wah, make it cry, make it
scream.
36 sweepable filter types. Analog, resonant, clean, saturated
and more.
Synth Filters: Fat and juicy analog synth filters. Great on
synths, and anything else.
Standard Analogs: Analog classic EQ. Clean and warm.
Resonant and Saturated: Edgy filters with resonance control
and saturation.
Talkbox Filters: Sweepable filters with harmonic control. Make
it yell.
Position filters in realtime to set gain, resonance and
bandwidth. Turn the filters into sweeping filters to sweep
frequency, resonance, gain -- anything you can control, you
can sweep.
Searching for that classic auto-wah sound? Use envelope
triggering to drive a lowpass filter to a higher ground.
Looking for anything but a classic sound? Let your envelopes
control the resonance of a filter, have peaks sweep filters to
lower frequencies and just about anything you can touch you
can trigger. Trash's control is unprecedented.
Box Modeling
- choose from over 80 box, speaker, cabinet, amp and effect
models
- shape the sound with microphone modeling
- make it wide with stereo spreading options
We'll give it to you straight: Trash is a killer amp
simulator.
Extremely realistic modeling of amp cabinets and speakers
using convolution modeling. Classics, combos, boutique models,
stacks... a tone and character for any occasion.
We went beyond the normal boxes you find in the music stores,
though. Telephones. Clock Radios. Sheet Metal. Plexiglass
tubes. Piano cabinets. Tin cans. And a whole bunch of cabinets
that don't even exist in the material world. When it comes to
amp modeling, Trash can be as real or unreal as you want.
Delay
- choose from six different delay types
- unique trash slider for distorted delay effects
- post filter with resonance for tweaking the wet signal
The perfect non-dairy topping for your Trash -- a Trash delay.
Trash the echo with a selection of classic lo-fi delay
flavors. Tape delay with saturation and nonlinear tape machine
artifacts. Tape-Tube delay with added tube saturation
modeling. Classic analog delay with analog degradation and
variation. Lo-fi digital delay with quantization noise and
aliasing.
Features
- unlimited undo with history
- filter graph for rearranging Trash modules
- integrated preset manager
We do things a little differently. Little things that process
audio with higher quality sound. Little things that help you
use effects more efficiently. Little things that make effects
fun to use. Little things that make a difference.
- 64 bit processing. Tight precision and extreme dynamics.
- History and Undo. Experiment. Undo. Go back.
- Preset Manager. Sort by name or last used. Add comments to
presets. Take part of one preset and assign it to another
preset. Update a preset with a single click.
- Meters. Spectrums, third octave, critical bands. Dynamics
histograms. Peak or RMS level meters.
- Extensive shortcut key and wheel mouse support Options that
let you customize functionality, UI, CPU usage and more.
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ÃÄÄÄÙ I N S T A L L N O T E S ÀÄÄÄ´
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1) Run iZotope_Trash_Setup_v1_08.exe to install
2) Use KeyGen.exe to generate a response code
____ _________ ______
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³Updated On/ /_/ / /___/ ___ |/ / ³
`Ä[o8/o5]Ä/_____/_____/_/ |_/_/ÄÄÄÄÄÄÄÄÄÄÄ[ cAN yOU fEEL tHE bEAT? ]ÄÄ'
